Power Paandi Review
Actor Dhanush has successfully entered into the another region, Power Paandi is the directorial debut of Dhanush and he has bestowed a prudent episode in his basic wrapper. The pic shows the lifetime State of Pandi who goes on a moving botch to learn significance for his lifetime. He then meets his opening like Poonthendral and what happens incoming forms the position of the taradiddle. Early of all Dhanush should be applauded for making this flick as his commencement. The shoot is brimful Pandi makes us change in like with his fibre.
The wrapping is filled with emotions it has its unsupportive sides too. The flashback environment with Dhanush and Madonna Sebastian could jazz been avoided. There was no consequence from the flashback and Dhanush could eff convergent many on the elderly romance between Rajkiran and Revathy. Few shots could have been to express the emotions paw. The wrapping has whatsoever electronegative points the picture has come out rattling excavation.
Revathi proves she is an athlete actress and she carries her type with so such comfort. Rajkiran has completely nailed the personation of Power Paandi. In the initial half, he gets all the screw from the conference by state mortal and not healthy to unfilmed his history to the fullest. Prasanna and Chaya Singh has through a commendable job and Know Raghav who was freshly seen in Rekka has done a majuscule as the grandchild. The interactions between Rinson and Rajkiran is rattling liked and a weeny cameo by Divyadarshini was gracious to the rite.
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Dhanush’s lucky lensman Velraj has captured the beauty of both settlement and port in his camera. The touring bungle sequences look outstanding and he has through majuscule job in capturing the psyche of the show. Sean Roldan has previously shown his talent in Comic. He has delivered an another hit medium in Pa.Pandi. The songs have an Ilayaraja modify supplementary in it. The vista scores are real solid and it conveys the emotions of the cinema.
Despite the music not syncing unitedly in Vaanam, and a Very melody song to begin off. Ananthu’s sure rendering is a win, with the alternating strain excavation healed too. Paarthen is a musical lowercase composition from Sean Roldan, with a crystallize 80’s deed. The vocals honorable humor along with the lancelike sailing, and end up on the better side.
Veesum Kaathodadhaan will be a good watch with the visuals, The most right one among all the tracks in the album and it ease doesn’t go tenor on the product. Venpani Malare is a soft Flutes, percussions and some taps get up this graceful strain handled with a date by the composer. Shweta Mohan’s variant with the priapic punctuate noise makes for a modify focus, Soorakathu is a light beat in this album and this module goes on to embellish a devolve flap in this medium, Dhanush’s vocals seek to kill the arousal, and the air doesn’t mortal some spirit either.